Graphic design services
that ship as a system,
not a JPG.

Cost tracks the deliverable list rather than a per-hour rate. A logo with a basic lockup suite sits in a very different bracket to a full identity system with guidelines, stationery, packaging and social templates. The production work differs enormously. We quote a fixed figure against a written brief that names every deliverable, so nothing appears as an extra later.

About seven weeks end to end. That is one week of discovery and audit, two weeks developing directions, and one week refining the chosen route. Two weeks apply it across collateral, with a final week for guidelines and handover. A standalone logo takes considerably less; a packaging range with multiple SKUs and regulatory panels takes longer.

Two or three genuinely distinct directions, each presented in context on real applications rather than as a mark centred on a white slide. We deliberately do not present ten options — presenting a dozen variations usually means none were reasoned through, and it makes the decision harder rather than easier. Each direction comes with the thinking behind it so you are choosing on rationale.

Yes, entirely. Editable vector source files are transferred to your own account with layers and naming intact, and copyright is assigned to you in writing at handover. You are not left with flattened exports and a dependency on us, and if you work with another studio later, everything goes with you.

That is what the lockup suite is for. The mark is tested from large-format signage down to a favicon, and delivered in primary, horizontal, stacked, mark-only, monochrome and reversed variants. Single-colour and outlined versions cover embroidery, stamping and etching, where gradients and fine detail simply will not survive the process.

We specify typefaces and handle the licensing so it is registered in your name, not borrowed from a studio subscription. That shortcut is common and genuinely risky: the licence leaves when the studio does. Where budget matters, we will recommend high-quality open-source or free-for-commercial-use typefaces that carry no ongoing cost.

Yes, and it is often the better call. We audit what exists, keep what is working, and document where the system has gaps that are costing your team time — inconsistent colour, missing formats, no templates. A refresh that tightens an established brand is usually cheaper and less disruptive than a rebrand, and we will say so when that is the honest answer.

We prepare files to the press specification: correct bleed, crop marks, outlined fonts, 300 dpi imagery and the right colour profile. A prepress check runs before anything is released. We liaise directly with your printer or converter on dielines, stock and finish, and can review a proof before the run. We do not mark up printing itself; you deal with the printer commercially.